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Writing Style Are You A Real Writer

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leroman
Writing Style: Are You A Real Writer?

I hear it all the time from my students and at the seminars and workshops I lead. The writers that I work with are excited to work with a "real" writer. Most people define a "real" writer as one who is published. Therefore I, with three published novels and innumerable newspaper and magazine articles under my belt, certainly qualify.

However, the longer I am involved in the business of professional writing and the teaching of writing the more I question that definition. For me, being a "real" writer is much more about a state of mind rather than a state of being. I believe very strongly that you need to become a real writer before you can become a published writer for I know that while most (if not all) published writers are real writers that the reverse is not necessarily true. I have known many real writers who have not yet been published but I believe they will be some day -- if they just stick with it.

Real writers are made. No one is born to be a writer although many real writers are born with a drive or need to be a writer and this is certainly a help during the difficult times and challenges that all real writers face. A real writer requires five essential tools.

The first, and most important, is a unique writing process. In order to write well and effectively not to mention to grow as a writer, you must develop a writing process. A nonexistent, or inefficient, writing process can greatly hinder your ability to write but a writing process tailored to your unique strengths and weaknesses can make your writing stronger and easier.

The second element goes along with the development of your writing process. This is learning your strengths and weaknesses as a writer. What is the most difficult part of writing for you? What is the easiest? The more you know about your own writing then the better equipped you are to take advantage of the areas where you are strongest and to work on the areas where you are weakest.

Another essential element to becoming a real writer is criticism. Writers need to develop the skills necessary to be critical of their own work and to edit effectively. Most real writers also have a support network in place, such as a critique group or critical reader, to assist with this process.

Real writers also need to be readers. Writers must read a variety of authors and types of writing in order to learn more about the language, its structure, and its varied uses. Reading provides inspiration in terms of ideas but also language use and vocabulary. Real writers love language and words and cannot get enough of either. Real writers are readers.

The final essential ingredient for a real writer is a strong work ethic. Real writers practice their craft on a regular basis (usually daily). Some writers only write a few hours a day while others spend many hours writing. The length of time is not as important as a regular writing schedule that is only altered for major holidays or life-threatening illness. Even if you can only carve out an hour a day that is enough time to write a novel if that is your goal. The important part is making your writing a priority and giving your writing muscles a regular workout.

If you want to be a real writer then you must work on these five essential tools of the writing trade: individual writing process, knowledge of strengths and weaknesses, criticism, reading, and work ethic. Once you have mastered these five tools of the trade then you are on the way to becoming a real writer.
leroman
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BONUS : Writing Success: What Does It Mean To You?

Like most creative professions the question of a qualified success in writing is not easy to concentrate into one definitive answer.

Just as there are a multitude of writing styles, so too are there many examples of writing success.

Examples

1. "If I can just finish my first story, I will have success."
2. "If I can just work up the courage to submit this to a publisher, I will have success."
3. "If I can actually receive a check in the mail for a magazine article, I will have success."
4. "If I can just publish my first book, I will have success."
5. "If I can just have my book published by a major publisher, I will have success."
6. "If I can just get my book in the bestseller list, I will have success."
7. "If I can just keep up with all the writing work I have been commissioned to do, I will have success."
8. "If I can only be thought of in the same way as other literary giants, I will have success."

"The secret of contentment is knowing how to enjoy what you have, and to be able to lose all desire for things beyond your reach." Lin Yu-t'ang

There is a difference between contentment and complacency. In the first case, we learn to be happy in the circumstances we find ourselves in. In the second case, you simply settle for where you are without an interest in doing something more.

"A man will never be content with what he wants until he is content with what he has." - Bill Gothard

As writers we should always reach for our best. It is a good idea to set a small attainable goal for the short term with perhaps a one and six year plan in place for where we would like to be. This goal can be readjusted annually.

The problem many writers have is they set their goals so high they may not be able to reach them, or they make the goal sacrosanct they miss out on life in pursuit of the goal. Should they actually reach the goal, the effect of reaching the pinnacle often serves as a pin to pop an inflated balloon. For some, the ultimate goal they have chosen leaves them feeling hollow because they never understood the need for contentment. Once the 'ultimate goal' is realized the author has nothing more to look forward to and they struggle through issues related to their overall motivation.

By learning the fine art of contentment while refusing to be complacent will serve you well as you wrestle with issues of personal writing success.
leroman
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