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How To Write A Good Christian Article
1. Take some time to brainstorm your Christian article topic. Take a blank sheet of paper and list 10 topics that are related to the subject you want to write about. If you have a web site you are promoting, what are the top 10 reasons someone might be interested in your web site? What are the top 10 reasons someone might be interested in reading an article by you?
2. Create a great headline for your Christian article. The reader must be intrigued by your headline (or title) or they will not read your article. It is far better to write one article that has a good headline/title and gets read than to write 10 articles that have lousy titles. Here are some suggestions:
 How to (fill in the blank)
 Why you should (fill in the blank)
 Why you should not (fill in the blank)
 DonÂt ever (fill in the blank)
 Top 8 Reasons for (fill in the blank)
Those are just startersÂyou can brainstorm and come up with so many more good Christian article titles.
3. Organize your Christian article.
 Start with an introduction or summary. Take 1 to 3 sentences to state what you are going to write about. Sometimes it is actually easier to write this after you have written the article, especially if you are not very organized when you start out writing.
 List several key points about your topic. Expand on each of theseÂperhaps 2 to 5 sentences each. You can number these, put them in bullets, or put each idea in a separate paragraph. However you decide to do this, be sure and break the ideas down so the reader can easily see where each idea begins and ends.
 Give the reader ideas for implementing your several key points. Once again, you can use bullets or in this case, sentences or brief paragraphs.
 Summarize your Christian article. This will be similar to the introduction, but perhaps more oriented towards telling the reader what to do nextÂsuch as learning more or getting started with whatever your article topic was.
4. Add a bio or resource section at the end of your article. Give a one-sentence bio of yourself, perhaps where you live and your specialty or expertise, and then provide a link to your web site. Most article directories will allow you to place a live link in this section.
5. Keep these important points in mind as you write your Christian article:
 Keep sentences short and concise. Get your point across in as few words as possible.
 Separate ideas, whether by numbering, bullets, or paragraphs. Your Christian article should be easy to read.
 Be sure your article is informative about your Christian topic; it should not read like one long sales pitch.
6. Get writing! Submit your Christian article to at least two article directoriesÂthe one in which you are reading this article, and my article directory, listed below in the author resource box.
BONUS : How To Write A Love Scene
The most critical lesson in writing a love scene is that it is similar to making love in the real world: when done well, it is messy, chaotic and somewhat animalistic. The civilized approach does not work; it leads to the greatest drawback of all: predictability.
Does this sound familiar? The leading man and woman dislike one another intensely; something happens and they see another side of the other; in spite of their best efforts to deny it, they find themselves attracted to one another; and they ultimately fall into a passionate embrace. Do you really want to write that one again?
The Best Love Scenes
The best love scenes are the ones in which the participants are not perfect specimens and the circumstances are obscure and somewhat confused. They are the scenes in which the reader has to work for it. In a word, they are authentic.
For example, here is the opening paragraph of my book, Point and Shoot:
This is how you make love to a woman undergoing cancer treatments. You ignore the metallic taste of her kiss; the slight snorting sound she makes when you press into her; the bony feel of her body, covered by skin that lacks tensile strength; the hairless scalp. You close your eyes and remember what it was like before. You move gently, until you forget yourself, as you should. You savor the moment because there might not be many more. And one more thing: you move very gently.
How to Get Started on Your Love Scene
I would suggest that you start by imagining your most interesting and emotionally-moving encounter with the opposite (or the same) sex. Write out a free association narrative about the images; scents; colorings; texture; dialogue; weather; and other aspects that trigger your memory.
Then, complicate it. You must assume that your memory of the event has been neutered by the passage of time. You remember your past, as we all tend to do, in an unrealistic light, obscuring and shading over the petty annoyances (Could you stop that whistling?); the inconvenient bodily functions (I have to pee.); and the wanderings of your mind (Did I lock the car door?) . So instead of writing that simplistic and ultimately, predictable story, shake it up.
Have your female character imagining a former lover, while her words are only about the man in her arms. Have your male character fear that he will not achieve arousal, and keep this truth from his lover until it can no longer be hidden. Have your characters wear blindfolds, so that all of the narrative description is tactile. In other words, create some kind of slanted, asymmetrical aspect to the story. Make your characters, and the reader, work for it.
Sure, Sex Sells, But DonÂt Make it Porn
One of the most frequently asked questions is how explicit to make the love scene. The answer is simple: less explicit than what you would want to read.
It is axiomatic that the most sexually-charged organ of the body is the mind. That is where your story will be experienced, and you need to cater to the mindÂs unique way of perceiving. The best caricaturists will use nothing more than a curved line or a geometric shape to suggest an instantly recognizable celebrity. They draw the most memorable aspect of the personÂs face, for example the ears. By that alone, the viewer can instantly discern the subjectÂs identity.
Likewise, a writer must suggest rather than explain. Describe how it feels to run a finger along a thigh; to feel blankets bunched between your body and your loverÂs; to be out of breath and not really know why. To paraphrase a long-ago Presidential campaign, make it subtle, stupid.
Here is another excerpt from that scene in Point and Shoot which illustrates the point:
"Are you getting there?"
"I told you never to ask me that question. It doesn't matter. Keep going. Finish."
"If I'm hurting you."
"Keep going."
I sped up. She shifted her hips to make it easier. After a while, I could see a tear well up at the corner of her eye. The tip of her nose flushed. She patted my shoulder again. "I said keep going."
A wave of remorse and self-pity, a heavy, deadening feeling, yanked me back.
I stopped for good and rolled off her.
She lay there, splayed out, staring at the ceiling. Unmoving.
I propped myself on one elbow, stroking her abdomen.
We were silent for a long while.
Conclusion
To sum up, love scenes are done best when they follow no particular formula, but instead, come from the heart. Less is more. Of course, you should also keep in mind that the research is frequently much more fun than the actual writing. But take a few moments to get it down on paper, anyway. We readers like to watch.
The most critical lesson in writing a love scene is that it is similar to making love in the real world: when done well, it is messy, chaotic and somewhat animalistic. The civilized approach does not work; it leads to the greatest drawback of all: predictability.
Does this sound familiar? The leading man and woman dislike one another intensely; something happens and they see another side of the other; in spite of their best efforts to deny it, they find themselves attracted to one another; and they ultimately fall into a passionate embrace. Do you really want to write that one again?
The Best Love Scenes
The best love scenes are the ones in which the participants are not perfect specimens and the circumstances are obscure and somewhat confused. They are the scenes in which the reader has to work for it. In a word, they are authentic.
For example, here is the opening paragraph of my book, Point and Shoot:
This is how you make love to a woman undergoing cancer treatments. You ignore the metallic taste of her kiss; the slight snorting sound she makes when you press into her; the bony feel of her body, covered by skin that lacks tensile strength; the hairless scalp. You close your eyes and remember what it was like before. You move gently, until you forget yourself, as you should. You savor the moment because there might not be many more. And one more thing: you move very gently.
How to Get Started on Your Love Scene
I would suggest that you start by imagining your most interesting and emotionally-moving encounter with the opposite (or the same) sex. Write out a free association narrative about the images; scents; colorings; texture; dialogue; weather; and other aspects that trigger your memory.
Then, complicate it. You must assume that your memory of the event has been neutered by the passage of time. You remember your past, as we all tend to do, in an unrealistic light, obscuring and shading over the petty annoyances (Could you stop that whistling?); the inconvenient bodily functions (I have to pee.); and the wanderings of your mind (Did I lock the car door?) . So instead of writing that simplistic and ultimately, predictable story, shake it up.
Have your female character imagining a former lover, while her words are only about the man in her arms. Have your male character fear that he will not achieve arousal, and keep this truth from his lover until it can no longer be hidden. Have your characters wear blindfolds, so that all of the narrative description is tactile. In other words, create some kind of slanted, asymmetrical aspect to the story. Make your characters, and the reader, work for it.
Sure, Sex Sells, But DonÂt Make it Porn
One of the most frequently asked questions is how explicit to make the love scene. The answer is simple: less explicit than what you would want to read.
It is axiomatic that the most sexually-charged organ of the body is the mind. That is where your story will be experienced, and you need to cater to the mindÂs unique way of perceiving. The best caricaturists will use nothing more than a curved line or a geometric shape to suggest an instantly recognizable celebrity. They draw the most memorable aspect of the personÂs face, for example the ears. By that alone, the viewer can instantly discern the subjectÂs identity.
Likewise, a writer must suggest rather than explain. Describe how it feels to run a finger along a thigh; to feel blankets bunched between your body and your loverÂs; to be out of breath and not really know why. To paraphrase a long-ago Presidential campaign, make it subtle, stupid.
Here is another excerpt from that scene in Point and Shoot which illustrates the point:
"Are you getting there?"
"I told you never to ask me that question. It doesn't matter. Keep going. Finish."
"If I'm hurting you."
"Keep going."
I sped up. She shifted her hips to make it easier. After a while, I could see a tear well up at the corner of her eye. The tip of her nose flushed. She patted my shoulder again. "I said keep going."
A wave of remorse and self-pity, a heavy, deadening feeling, yanked me back.
I stopped for good and rolled off her.
She lay there, splayed out, staring at the ceiling. Unmoving.
I propped myself on one elbow, stroking her abdomen.
We were silent for a long while.
Conclusion
To sum up, love scenes are done best when they follow no particular formula, but instead, come from the heart. Less is more. Of course, you should also keep in mind that the research is frequently much more fun than the actual writing. But take a few moments to get it down on paper, anyway. We readers like to watch.
