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Guide To The Types And Styles Of The Ukulele
The ukulele is a very small guitar that originated from an island in Portugal called Madeira. This instrument was called "braguinha" in Portuguese. In 1879, travelers took a ship from the island of Madeira to Hawaii. Craftsmen who witnessed this instrument being played were fascinated and began producing it for Hawaiians. The instrument was nicknamed "ukulele," which actually means, "jumping flea." It is also called "uke" for short.
Ukes are different from guitars in several ways. They are usually very lightweight and easy to carry. Original style ukes are easier to learn to play because they have fewer strings. They are also easier on the fingers. Ukes are, however, limited in the range of notes that can be played. They are great for musicians who want simplicity!
Today this instrument is still very popular in Hawaii and is being shipped to music lovers around the world. Let's take a look at the types and styles of ukuleles.
Four Types of Ukuleles
There are four standard types of ukuleles, which are concert, soprano, tenor, and baritone. The most commonly used type is the soprano ukulele. Each type, except the baritone, is tuned using the well-known tune/phrase "my dog has fleas!" This involves hitting the keys G, C, E and then A. The tenor type is one octave down from soprano. The baritone's tuning is accomplished using this order of keys: E, B, G, D.
There are also hybrid ukuleles being produced today, such as the banjulele (banjo body), taropatch (eight-stringed instrument) and ukelin. These specialty instruments are usually developed by individuals or specialty musical instrument companies. Some are even highly collectible today.
The soprano uke is the smallest at about 21 inches long. The concert uke is about 23 inches long. The baritone uke is 30 inches long, and the tenor uke is 26 inches long. The baritone and tenor ukes are more similar to regular-sized guitars, only with just four strings.
Styles of Ukuleles
Ukuleles may also come in a variety of styles, colors, and shapes to reflect the personality of the musician. Some examples of style variety are the Bushman ukuleles, which come in styles such as Jenny Soprano, Jenny Pineapple, Jenny Concert, Jenny Tenor, and Jenny Baritone.
A ukulele maker might use a variety of high-quality woods to produce the instruments such as Mahogany to give the instrument a brilliant finish. The shapes of the instrument may vary as well. Some resemble the regular guitar shape while others might be completely oval-shaped, similar to a pineapple shape, or have a piece "cut away" at the neck.
With prices ranging from $169 and up, anyone can own a ukulele. They can be ordered online for music fans that live in areas where the ukulele is not readily available locally. There is also a wide variety of ukulele strings and accessories such as felt picks, tuners, amplifiers, shoulder straps, strap buttons, tuning machines, ukulele humidifiers, and more. Whether one wants a cheap ukulele to keep around the house for fun or an expensive one for professional concerts, it's easy to find just the right style online.
BONUS : Guitar Chords: How To Solo Over Chords With The Minor Pentatonic Scale
Soloing over guitar chords is easy when you know how to use the minor pentatonic scale. Add spice and power to your solo's with these simple but highly effective techniques.
The humble minor pentatonic scale is what most guitar players start with when learning to solo. Trouble is, they don't learn to use the scale to it's best potential.
Here, I'll show you an easy way to use the pentatonic scale to solo over the three most common guitar chord types: Major, minor and dominant 7th chords.
1. Major Chords
A Major chord always has a relative minor chord. The easy way to find the 'relative' minor of any major chord on a guitar is to take the note three half-steps (3 frets) below the root note of the major chord.
For example: a C major chord - the root note is C. On a guitar, the note 3 frets below a C note is A. Therefore, A minor is the relative minor of C major.
So to solo over a C major chord, use the A minor pentatonic scale and you can't go wrong.
Another example: F major chord - three frets below the root of F, you will find D. So you use a D minor pentatonic scale over an F major chord.
Another example: G major chord - three frets below the G root note you'll find E. So... you use the E minor pentatonic to solo over a G chord.
Now, you may have noticed that I listed C, F and G major chords there. Coincidentally, They are the 1, 4 and 5 chords of the 'KEY' of C Major. This applies to all instruments, not just guitar.
More about this later...
2. Minor Chords
These are easy... just use the minor pentatonic of what ever the minor chord is. E.g. Use D minor pentatonic for a D minor chord, an E minor pentatonic for an E minor chord, an A minor pentatonic for an A minor Chord.
Now, did you notice I used D, E and A minor chords as the example? Did you also notice that these chords are the 2, 3 and 6 chords of the 'KEY' of C Major?
More about that later, too...
3. Dominant 7th Chords
You have a couple of choices here. But basically, you would use the relative minor pentatonic, or the minor pentatonic a tone below the root of the dom7 chord.
For example, over G7, you could use either E minor pent (relative minor), or D min pentatonic.
The reason you could use the D minor pentatonic over a G7 chord is because the Dmi chord and G7 chord often go together in chord progressions. Forcing a Dmi sound over a G7 chord gives a G7sus sound.
4. Thinking From a 'KEY" Perspective
OK, what we have looked at is the KEY of C Major. And basically you can use just the A minor pentatonic alone for ALL the chords in C, or you can also use the D and E minor pentatonics to add some color and more conformity to the chords being used at the time.
Remember, these principles apply to whatever chord you are playing at any time, but can also be applied on a KEY basis,which is a more encompassing picture.
The Key of C Major has these chords:
C, Dm, Em, F, G7, Am, Bmin7b5.
Ami pent can be used over them all, or just the C and Am chords.
D min pentatonic can be used over the F and Dm chords.
E minor can be used over the Em and G7 chords.
We didn't mention the 7 chord (Bmi7b5) because it's not used very much. But a good choice is the Dm pentatonic. In fact, though, you can use either of the three pentatonics from the C Major scale - Am, Dm or Em. Try them, see which you like best.
I hope you enjoyed this article. You can find more information about guitar chords at my site: http://www.Free-Guitar-Chords.com
The idea of using pentatonics for different chords is a powerful one, don't overlook the cool sounds you can create with such a simple device.
Also, in a future article, I'll be discussing 'Pentatonic Substitution' where I'll show you how to use substitute and altered pentatonics for even more sound choices.
Soloing over guitar chords is easy when you know how to use the minor pentatonic scale. Add spice and power to your solo's with these simple but highly effective techniques.
The humble minor pentatonic scale is what most guitar players start with when learning to solo. Trouble is, they don't learn to use the scale to it's best potential.
Here, I'll show you an easy way to use the pentatonic scale to solo over the three most common guitar chord types: Major, minor and dominant 7th chords.
1. Major Chords
A Major chord always has a relative minor chord. The easy way to find the 'relative' minor of any major chord on a guitar is to take the note three half-steps (3 frets) below the root note of the major chord.
For example: a C major chord - the root note is C. On a guitar, the note 3 frets below a C note is A. Therefore, A minor is the relative minor of C major.
So to solo over a C major chord, use the A minor pentatonic scale and you can't go wrong.
Another example: F major chord - three frets below the root of F, you will find D. So you use a D minor pentatonic scale over an F major chord.
Another example: G major chord - three frets below the G root note you'll find E. So... you use the E minor pentatonic to solo over a G chord.
Now, you may have noticed that I listed C, F and G major chords there. Coincidentally, They are the 1, 4 and 5 chords of the 'KEY' of C Major. This applies to all instruments, not just guitar.
More about this later...
2. Minor Chords
These are easy... just use the minor pentatonic of what ever the minor chord is. E.g. Use D minor pentatonic for a D minor chord, an E minor pentatonic for an E minor chord, an A minor pentatonic for an A minor Chord.
Now, did you notice I used D, E and A minor chords as the example? Did you also notice that these chords are the 2, 3 and 6 chords of the 'KEY' of C Major?
More about that later, too...
3. Dominant 7th Chords
You have a couple of choices here. But basically, you would use the relative minor pentatonic, or the minor pentatonic a tone below the root of the dom7 chord.
For example, over G7, you could use either E minor pent (relative minor), or D min pentatonic.
The reason you could use the D minor pentatonic over a G7 chord is because the Dmi chord and G7 chord often go together in chord progressions. Forcing a Dmi sound over a G7 chord gives a G7sus sound.
4. Thinking From a 'KEY" Perspective
OK, what we have looked at is the KEY of C Major. And basically you can use just the A minor pentatonic alone for ALL the chords in C, or you can also use the D and E minor pentatonics to add some color and more conformity to the chords being used at the time.
Remember, these principles apply to whatever chord you are playing at any time, but can also be applied on a KEY basis,which is a more encompassing picture.
The Key of C Major has these chords:
C, Dm, Em, F, G7, Am, Bmin7b5.
Ami pent can be used over them all, or just the C and Am chords.
D min pentatonic can be used over the F and Dm chords.
E minor can be used over the Em and G7 chords.
We didn't mention the 7 chord (Bmi7b5) because it's not used very much. But a good choice is the Dm pentatonic. In fact, though, you can use either of the three pentatonics from the C Major scale - Am, Dm or Em. Try them, see which you like best.
I hope you enjoyed this article. You can find more information about guitar chords at my site: http://www.Free-Guitar-Chords.com
The idea of using pentatonics for different chords is a powerful one, don't overlook the cool sounds you can create with such a simple device.
Also, in a future article, I'll be discussing 'Pentatonic Substitution' where I'll show you how to use substitute and altered pentatonics for even more sound choices.
