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America S Next Great Writer

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leroman
America's Next Great Writer

Every once in a while a writer comes along that demands we take notice; one that avails just the right meter, tempo, and rhythm; one that can engulf us in a story and keep us glued throughout 200 pages; one that offers a style sure to be emulated by his aspiring peers, both of his generation and generations to come.

Nelson Pahl is just that writer.

With simultaneous debut releases, entitled Bee Balms & Burgundy and Two for Tuesday, Pahl flexes a literary muscle short in supply today—one that whispers, “legend in the making.”

Although the hardcover version of Bee Balms & Burgundy won’t hit stores until March, I had the pleasure of reading the pre-release, limited edition eBook version, which is available at www.NelsonPahl.com and www.IndieMill.com. There, you can even read a sample chapter, to whet your appetite.

Bee Balms & Burgundy is a charming story of latent lifelong love and the quest to conquer all that stands in its way. Nick May is a successful thirty-two-year-old entrepreneur living in Vancouver. He breaks off an explosive, distrusting eleven-month live-in relationship just before he travels home to St. Paul to see his widowed mother. The relationship leaves him cynical about love, to say the least. Once in St. Paul, he discovers next-door neighbor and lifelong pal Mia Lawson, 30, has a couple secrets she’s been dying to share with him. One, unbeknownst to Nick, is that she’s now a post-mastectomy breast cancer survivor, still hoping to conquer her disease. The second secret levels Nick even more.

Pahl not only delves into the oft-taboo topic of breast cancer with literary vigor, but he also revels in it, astutely capturing the female emotions attached to such a dreadful experience. The chemistry between his two main characters borders on the divine, as we ride along upon an always charming but sometimes heartbreaking chariot through Nicky and Mia’s sensual and ethereal yet trying world.

While Indie Nation Magazine bills the book as “…the best love story you’ll read this year,” I beg to differ, slightly; I’ll argue that it might be the best love story you ever read. Bee Balms courageously delves into a subject today’s “socially conscious” novelists won’t go near, and it treats the topic with grace, dignity, depth, and, yes, even endearing sensuality.

Pahl is a wonderful example of why some of America’s best writers now insist on writing for independent presses: A major publishing house would only shackle his rich and witty writing style and subdue his “outside-the-box” storytelling.

Yet, Pahl’s strict and uncommon literary discipline—along with his hand for sensuous descriptive writing and well-crafted dialogue—make him one of the very best writers in today’s fiction scene, indie lit or mainstream. His concise and fluid prose grip the reader from the onset, and then move him or her through the story with liberating ease and optimum intrigue. Through his articulate and warm first-person narrative, we see, feel, hear, smell, and taste everything; we live inside his fictional world; we are the characters.

Nelson Pahl’s writing style single-handedly restores my faith in today’s literature. Consider Bee Balms & Burgundy an essential inclusion to any A-list catalogue.

And, do yourself a favor: Say you read him before the world knew about him—or, before he wins a Pulitzer.
leroman
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BONUS : An Author's Glimpse Into The Operation Of A Book Publishing Company

The publishing company is the backbone of the writing world. The publishing company provides a great service to society by publishing and displaying the work of authors. The global existence of publishers is obvious, but the inner workings of a publishing company is unknown by many authors. Many book publishers consider the publishing industry as an apprenticeship industry -- most book publishing professionals gain knowledge and skills in this field with hands-on job experience. Generally, what an apprentice learns in one department is useful throughout the publishing house, which gives professionals the opportunity to move between departments. A typical publishing company has many levels to it, each with different functions.

THE ADMINISTRATIVE DEPARTMENT

The Administrative Department is the first level of any book publishing company. It has many responsibilities to help the publishing company function properly. The Administrative Department manages daily operations for publishing executives and management. This responsibility involves interaction with all employees from all departments, as well as interaction with authors and agents. The administrative employees manage the calendar, maintain organized files, screen/prioritize mail, draft correspondence, make travel arrangements and prepare itineraries, process expense reports, take minutes at meetings, and prepare reports. A position as an administrative employee allows a person to have a high-level of understanding of a publishing company, while being visible to executives.

THE ADVERTISING DEPARTMENT

All large and small publishing companies have an Advertising Department. Most publishing companies have in-house advertising agencies that purchase media space and create and design advertisements. In a publishing company, the Advertising Department works closely with the marketing directors, editors, and publishers of titles to create an advertising plan that promotes sales of an author's book. An advertising plan requires research and negotiation to provide the best venues and the most cost-effective methods of advertisement. These employees also work closely with graphic designers, commercial sales representatives, printing presses, and internal staff to facilitate the run of advertisements.

THE EDITORIAL DEPARTMENT

The Editorial Department of a publishing company is one of the most important departments. The Editorial Department acquires, negotiates, develops, and edits book projects for publication. The daily activities of editorial employees include preparing acquisitions for transmittal to the production department; developing and maintaining relationships with authors, booksellers, and agents; performing general administrative duties; participating in editorial, design and marketing meetings; and reading and evaluating submissions by writing reader's reports. The editorial department must work closely with all departments.

THE MARKETING DEPARTMENT

Another division of a publishing company is the Marketing Department. The Marketing Department creates, prepares, and establishes marketing strategies and policies for each book title by coordinating the efforts of publicity, promotion, advertising, and sales departments. The Marketing Department prepares all sales presentation materials, audio recordings, fact sheet collation, and promotions; creates and produces additional account-specific presentation materials; researches and establishes relations with new markets; and plans and maintains sales and marketing schedules.

THE PUBLISHER'S OFFICE

The Publisher's Office is also an important department for many publishing companies. The publishers oversee the life cycle of a book title from acquisition to production, and onto the sales force. Publishers make executive decisions for all book titles within assigned imprints while staying within any cost restraints. This department is also responsible for sponsoring book projects, strategies, and initiatives for the publishing company.

BOOK RIGHTS DEPARTMENT

The Subsidiary Rights and Permissions Department is one of the most important divisions of a book publishing company. This department finds additional sources of profit for a given title, including serials, book clubs, and paperback, audio and e-book rights.

The daily activities for the subsidiary department include writing submission letters; sending manuscripts, proposals, and books to foreign publishers and agents; coordinating co-productions with other publishers; working with book clubs and sales for special editions; and maintaining relationships with other publishing companies.

ENJOY THE JOURNEY

The road to getting a book published is a long one, but well worth the effort. Trust yourself, and trust the publisher to create a beautiful masterpiece. Don’t be discouraged if several publishers are not interested in your book. You may have to self-publish your first book, and then again, a large or small publishing company may accept your book based on marketability. Good luck and enjoy the process.
leroman
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